The Hip Hop Dilemma
By Jineea Butler NNPA Columnist | 5/17/2013, noon
I call it The Hip Hop Dilemma. The symptoms are all around us. You hate the new direction Hip Hop is going in and you hate that the young boys are wearing tight jeans. Still, Hip Hop has a tremendous pull, something that you can’t ignore.
And if it’s a dilemma for our younger generation, imagine what it’s like for adults. Ask your mother or aunt what is their dilemma with Hip Hop and the question will ignite a long, drawn out conversation because in some way or another Hip Hop bothers them. Deeply.
I am writing this column, in part, because I want to help bridge the generation gap in our community. Just because our elders don’t like our music – and will admit that their elders didn’t like what they were playing when they were growing up – doesn’t mean I have to ascribe negative motives to them or they to us.
Civil Rights leaders just want us to use our power wisely and remember the battles from which we came. At the same time, the Hip Hop pioneers and legends just want to be recognized for their greatness and they want the true meaning of Hip Hop to be appreciated by all age groups.
True Hip Hop artists and fans have been preparing for the day real Hip Hop returns. In the meantime, a new school of young people are making their own way, making their own rules with the power that has been prematurely handed to them. .
What is Hip Hop?
If you ask most, it’s music gone wild. But it’s more than that. This art form represents a way of communicating – an attitude, a position, a swag, life lived freely. When people talk about Hip Hop, they say it’s a youth movement. This is our first dilemma. Hip Hop will be 39 years old this year (it began August 11, 1973). That was the age of Dr. Martin Luther King, Jr. when he was assassinated in Memphis.
More than half of African Americans were born after Dr. King gave his “I Have a Dream” speech at March on Washington. That was nearly 50 years ago! Instead of teaching the younger generation, some elders have left the youth to their own devices, expecting them to absorb the lessons of their movement without providing the needed guidance.
Consequently, some of our artists make missteps – Lil Wayne denigration of Emmitt Till is one example – because our music legends are not spending enough time with younger artists.
Who should be leading them?
Logically, legends such as Afrika Bambataa, Kool Herc, Grand Master Caz, Pebblee Poo, Roxanne Shante and Kangol Kid. They should be schooling the young people on respectful content, situations to avoid and direction. The Tru School artists like Big Daddy Kane, Rakim, KRS-ONE, Del La Soul Brand Nubian, and Monie Love should be the body of A&R’s who are nurturing the music we know and love at the record labels and the radio stations.